# Loner - Core Rules 3rd Edition
Roberto Bisceglie
2026-07-31
# Loner - Core Rules 3rd Edition
## What is *Loner*?
*Loner* is a minimalist solo role-playing game. It is designed for a
single character — your Protagonist — who will navigate an unfolding
story driven by your choices and an unpredictable Oracle.
Unlike structured solo adventures with pre-set paths, *Loner* allows you
to shape your own narrative dynamically. Instead of choosing from
pre-set outcomes, you ask the Oracle questions, interpret its cryptic
answers, and weave unexpected twists into your journey.The game is
improvisational, emergent, and surprising.
Every session of Loner is a blend of structure and unpredictability.You
make choices, test assumptions, and occasionally find that the world has
different plans than you expected. When that happens, it’s time to adapt
— and let the story take you somewhere new.
*Loner* follows these design principles:
1. **Portable** – All you need is a few six-sided dice, a way to write
things down, and your imagination.\
2. **Rules-Light** – With just one core mechanic, *Loner* is easy to
learn and quick to play.\
3. **Tag-Based** – Characters, events, and objects are defined
descriptively rather than numerically.\
4. **Emergent & Open-Ended** – There are no pre-written stories; every
session generates its own narrative.
The game is designed for quick, fluid storytelling without tactical
complexity or number crunching. You can play as a lone wanderer in a
ruined world, a spy on the run, or a rogue AI navigating cyberspace.
Loner adapts to your vision.
### What is a role-playing game?
A role-playing game (RPG) is a storytelling experience where you take on
the role of a character and make decisions that shape their journey.
Typically, RPGs are played with more than one person and a game master
(GM) who creates challenges and controls the game world. However, in a
solo RPG like Loner, you play the role of both the player and the
storyteller.
### How *Loner* Is Different
Unlike other RPGs or gamebooks with predefined choices, *Loner* is an
emergent narrative game. You create the story as you play. Instead of
following a script, you ask the Oracle closed questions (Yes/No), which
makes the story more uncertain and surprising. This creates an
unpredictable story.
The game world isn’t set in stone from the start; it responds to your
character’s actions, motivations, and circumstances as the game
progresses. You set the stage, the Oracle twists fate, and together,
they shape a unique adventure every time you play.
### Playing Safely
When you play alone, you have complete control over your experience.
*Loner* lets you explore any story, but you also set the limits. Some
themes might be intense or emotionally challenging. If they are, adjust
them as needed. Take breaks, change the focus, or step away if something
feels uncomfortable. The game exists to help you express your
creativity; it’s not trying to make you feel distressed.
Since you’re the only player, you don’t need formal safety tools like in
group RPGs. Instead, follow one simple rule: **If a scene makes you
uncomfortable, change it.** You can rewind, reframe, or step back
entirely.
The goal of Loner is to enjoy the journey, not force yourself through
anything that doesn’t feel right.
### What You Need to Play
To play *Loner*, you only need a few basic tools:
- **4 six-sided dice** (d6s) – two pairs of different colors.\
- **Paper and writing tools** – a scrap sheet and a pencil work fine,
but index cards or sticky notes can help.\
- **Character sheet** – use the one provided at the back of this book or
a simple notecard.
Optional but useful:
- **Notebook** – *Loner* isn’t a journaling game, but you might want to
jot down notes about characters, locations, and ongoing storylines.
This helps keep things consistent when you play more than once.
That’s it! There is no rulebook to memorize, no stacks of materials —
just a handful of dice and your imagination.
## Choose a Genre or Setting
Every *Loner* adventure takes place in a different **imaginary world**.
You get to choose the world before you play. This can be:
- A setting from your **favorite TV series, book, or RPG**.\
- A genre you already love or one you’re curious to explore.\
- A world built from **randomly generated tropes**.
If you need inspiration:
- **Look up trope lists** (search online for common themes in fiction).\
- **Use the Adventure Packs** found later in this book.\
- **Let your character shape the world** — define them first, then build
the setting around them.
There’s no right or wrong way to do it. The story will take shape as you
play, whether you start with the world or the character.
## Creating Your Protagonist
Your character — the **Protagonist** — is the most important part of
your story. They don’t have statistics; instead, they are defined by
descriptive traits that shape how they interact with the world.
### Step-by-Step Character Creation
1. **Choose a Name** – Pick a name that fits the tone and setting of
your story.\
2. **Define a Concept** – Summarize your character in a short phrase.\
3. **Select Two Skills** – Unique abilities or expertise.\
4. **Choose a Frailty** – A weakness, flaw, or personal struggle.\
5. **Pick Two Pieces of Gear** – Specialized equipment relevant to the
setting.\
6. **Set a Goal & Motive** – Define what your Protagonist is trying to
achieve and why.\
7. **Identify a Nemesis (Optional)** – A rival, enemy, or opposing
force.\
8. **Start with 6 Luck** – it’s your ability to avoid failure and
resets after conflicts.
### What Makes a Good **Concept**?
A **Concept** is like a label for your character. It tells you what they
are in just one sentence. The best concepts are evocative and concise,
giving an immediate sense of personality, role, or history.
✅ **Good 📌 Examples:**
- *Cunning Bounty Hunter* – suggests expertise in tracking and
deception.\
- *Haunted Scholar* – suggests knowledge, but also a burden.\
- *Exiled Warlock* – hints at power and a troubled past.
❌ **Weak 📌 Examples:**
- *Strong Fighter* – too generic. What makes them unique?\
- *Heroic Person* – not specific enough. What do they actually do?\
- *Jack of All Trades* – vague, doesn’t provide a strong identity.
Think of the Concept as your elevator pitch — it should tell you, at a
glance, who this character is.
### What Makes a Good **Skill**?
Skills in *Loner* are qualitative rather than numerical. Instead of
bonuses or stats, a **Skill** is a descriptor that grants **narrative
permission** — it tells you what your character is capable of doing.
✅ **Good 📌 Examples:**
- *Engine Whisperer* – suggests a deep, almost intuitive understanding
of mechanics.\
- *Shadow Walker* – implies stealth and movement in darkness.\
- *Tactician’s Mind* – allows for strategic thinking and planning.
❌ **Weak 📌 Examples:**
- *Strong* – too broad; what kind of strength?\
- *Smart* – vague; in what area?\
- *Combat* – doesn’t indicate a specialty or style.
When choosing a Skill, ask: **How does this change the way my character
interacts with the world?** If it’s too broad, refine it to something
more specific.
### Why **Goal, Motive, and Nemesis** Should Emerge from Play
These three elements are closely related to the story and so it’s best
to choose them based on the **game’s context** instead of picking them
from a random list.
- **The Goal** defines what your character is actively working toward.\
- **The Motive** explains why they pursue it.\
- **The Nemesis** is what stands in their way — this can be a person, an
organization, or even an abstract force.
Since *Loner* is an emergent storytelling game, these should be chosen
**based on the setting, tone, and first moments of play** rather than
from a random generator.
✅ **If chosen organically:**
- The story unfolds naturally, and the Goal is driven by in-game
events.\
- The Motive has weight because it emerges from play.\
- The Nemesis grows into a real antagonist with personal stakes.
❌ **If chosen randomly:**
- Your character might have a *Goal* that feels disconnected from the
setting.\
- The *Motive* might be unclear or unimportant.\
- A *Nemesis* that doesn’t fit the world weakens the tension of the
story.
| **Approach** | **Outcome** |
|----|----|
| ✅ **Organically** | The Goal, Motive, and Nemesis evolve naturally from in-game events, making them more meaningful and immersive. |
| ❌ **Randomly** | These elements may feel disconnected from the story, weakening character depth and narrative stakes. |
### 📌 Example
> **Zahra Nakajima** **Concept:** Witty Street Cat\
> **Skills:** Streetwise, Nimble\
> **Frailty:** Merciful\
> **Gear:** Knife, Low O2 Supplement\
> **Goal:** Obtain unknown technology to save her planet\
> **Motive:** She feels responsible for her home’s survival\
> **Nemesis:** The Naturalist Order, a group that seeks to suppress
> technological progress\
> **Luck:** 6
Here, Zahra’s *Goal* and *Nemesis* aren’t arbitrary — they come from the
world and story she inhabits. Her *Motive* ties into her personality,
creating **emotional stakes** that make the journey meaningful.
If you’re unsure about your Goal, Motive, or Nemesis, start playing! Let
the first scenes shape these elements instead of deciding everything
upfront.
## Everything is a Character
In *Loner*, anything that plays a meaningful role in the story — whether
a person, a spaceship, or an ancient curse — is treated like a
**character**. This means the same descriptive approach used for your
**Protagonist** applies to everything that matters in the game world.
### Living Characters (NPCs, Foes, Organizations)
Any person, creature, or faction that has a **distinct role** in the
story follows the same structure as the Protagonist:
- They have **a Concept** that defines their identity.\
- They may have **Skills and Frailties**, just like the Protagonist.
- They may have **Goals**, **Motives**, or **Nemeses**.
- They interact with the world through **Tags**, influencing how scenes
unfold.
### 📌 Example
> **Caine Trask** **Concept:** Ruthless Lawman\
> **Skills:** Tracker, Quick Draw\
> **Frailty:** Bound by Honor\
> **Gear:** Plasma Revolver, High-End Surveillance Drone\
> **Goal:** Capture fugitives and criminals at any cost\
> **Motive:** Believes justice is absolute, no room for negotiation\
> **Nemesis:** The Shadow Syndicate, a criminal network that always
> slips through his fingers\
> **Luck:** 6
### Non-Living Characters (Objects, Vehicles, Curses)
Not everything in *Loner* is alive, but if something **actively
influences the story**, it is treated as a character. Unlike living
beings:
- They have a **Concept**, **Skills** and **Frailties**.
- **They don’t have Goals, Motives, or Nemeses.**\
- They are defined by their **function and impact** on the story.\
- They still use **Tags** to shape how they are used or overcome.
### 📌 Example
> **The Century Skylark**
>
> - **Concept:** Spacecraft in bad shape\
> - **Skills:** Hyperjump Drive, Camouflage Circuits
> - **Frailty**: Midlife Courier\
> - **Luck:** 6
## Descriptive Tags
Tags are **short descriptive phrases** that define and shape the game
world. They don’t use numbers or stats — just **words that matter** in
play.
Everything in *Loner* — characters, places, objects, and events — can
have Tags. These tags help determine how situations unfold and whether a
character has an **Advantage or Disadvantage** in a scene.
### Types of Tags
Tags generally fall into three broad categories:
- **Character Traits** – Describe a character’s **skills, flaws, goals,
or motives**. These shape what they excel at and what holds them
back.\
*📌 Examples:* *Veteran Marksman, Haunted by the Past, Driven by
Revenge*
- **Details** – Define the **environment, objects, or situational
features** that could influence the story.\
*📌 Examples:* *Dimly Lit Corridor, High-Security Vault, Crumbling
Bridge*
- **Conditions** – Represent **temporary or lasting effects** that
change how a character acts or what they must overcome.\
*📌 Examples:* *Wounded Leg, Feared by Locals, Wanted by the Law*
### How Tags Affect Play
Tags provide **context**, not math. They don’t work like stats or
bonuses; instead, they determine whether a character has an **edge or a
setback** in a given situation. If a Tag is relevant, it might grant
**Advantage or Disadvantage** on a roll.
✅ **Good Use of Tags:**
- The vault is tagged *High-Security Vault* — this makes lockpicking
harder, so the player rolls with **Disadvantage**.\
- A Protagonist with a *Veteran Marksman* Skill is shooting in a duel —
this gives them **Advantage**.
❌ **What Tags Are NOT:**
- A numerical rating or score (*+2 Strength* is not a Tag).\
- A passive trait that never impacts play (*Nice Person* isn’t a strong
Tag unless it changes outcomes).
Think of Tags as **narrative signposts** — they describe things in a way
that directly affects the unfolding story.
## Before the Adventure
You can jump straight into the game, but it’s a good idea to take a
little time to **set the stage**. This can make your adventure more
immersive and interconnected.
### Build a Web of Connections
- **Your Nemesis is an NPC** – If you’ve defined a Nemesis, you’ve
already created a key Non-Player Character (NPC). Write down their
details separately — you’ll likely cross paths again.\
- **Allies and Contacts** – Does your Protagonist have friends, mentors,
or rivals? List them out with a short description so they can appear
organically during play.
Preparing in advance will help your world feel more realistic and
connected as you play.
### Track Your World
Beyond characters, consider noting:
- **Important Locations** – Places that might be revisited, such as a
criminal hideout, a hidden temple, or a war-torn city.\
- **Major Events** – Significant events that shape the story, such as a
rebellion or an impending disaster.
These don’t have to be fully detailed — just quick notes that give you
something to draw from when the story takes unexpected turns.
A little preparation goes a long way, ensuring your world feels rich and
interconnected as you play.
## Start Your Game
Every great adventure begins **somewhere**. In *Loner*, you define the
**starting scene** by deciding where your Protagonist is **right now**
and what immediate challenge they face.
There are **two main ways** to begin:
### **1. Drop into the Action (Dramatic Scene)**
Start in **the middle of a tense, dynamic moment** — your Protagonist is
already **escaping, fighting, negotiating, or uncovering a secret**.
✅ **Builds momentum immediately** — the story starts **in motion**
rather than in planning.\
✅ **Easy to improvise** — the scene itself suggests the next logical
actions.
📌 **Example:**\
\> Your Protagonist is **running through a neon-lit alley**, gunfire
behind them. A rival bounty hunter is closing in — **do they find cover
in time?**
This technique is borrowed from fiction and film, where **beginning with
action** hooks the audience. Imagine the opening of *Raiders of the Lost
Ark*: Indiana Jones **is already inside the temple**, dodging traps.
**Much more engaging than starting with him reading a book at home!**
💡 **Tip:** A dramatic opening doesn’t need combat — it just needs
tension, urgency, or a **clear conflict to resolve**.
### **2. Frame the Adventure First**
If you prefer structure, use the **5W+H method** (Who, What, Why, Where,
How, plus Obstacle). This gives you a **mission framework** before
jumping into the story.
Ask:
- **Who?** *(Who initiates the story?)*\
- **What?** *(What mission or task is at hand?)*\
- **Why?** *(Why does the Protagonist care?)*\
- **Where?** *(Where does the adventure take place?)*\
- **How?** *(How does the story begin — what sets events into motion?)*\
- **Obstacle?** *(What immediately stands in the way?)*
| D6 | **Who?**
Proposer | **What?**
Mission | **Why?**
Incentive | **Where?**
Target | **How?**
Starting Point | **Obstacle?**
Complication |
|:--:|:--:|:--:|:--:|:--:|:--:|:--:|
| 1 | Authority | Rescue | Help | Person | Casual encounter | Opposition |
| 2 | Organization | Protection | Fortune | Group | Old acquaintance | Deception |
| 3 | Ally (friend, relative) | Exploit | Coercion | Treasure | Rumors | Environment |
| 4 | Mentor | Explore | Impulse | Location | Capture | Disguise |
| 5 | Help-seeker | Escape | Ambition | McGuffin | Mishap | Time |
| 6 | Blackmailer | Pursuit | Revenge | Confession | Object (map, letter) | Space |
✅ **Gives a concrete premise** — your Protagonist has a clear **goal**
from the start.\
✅ **Helps with structured play** — you know **what’s at stake** before
the first scene.
> **Who?** Mentor\
> **What?** Exploit\
> **Why?** Help\
> **Where?** McGuffin\
> **How?** Rumors\
> **Obstacle?** Time
>
> Tobias Wethern took Zahra under his wing when her parents died. That’s
> why she can’t say no to him now. Tobias wants Zahra to **steal a
> datapad** from the Leton Corporation’s subsidiary. He doesn’t know
> exactly where it’s stored, but in **24 hours, security will move it to
> another location** — so there’s no time to waste.
### **Which One Should You Use?**
📌 **Dramatic Scene:** Best if you want to **jump right in** and
discover the story as you play.\
📌 **Framed Setup:** Best if you want **a structured mission goal**
before the first scene.
You **don’t have to choose just one** — you can **combine both**:
1. **Use a frame to set up the mission.**\
2. **Then, start with a dramatic scene.**
📌 **Example:** You **frame** a mission (*steal a data drive from a
rival hacker*) — but instead of starting at the planning stage, you
**drop into the action** (*the Protagonist is already inside the
hacker’s apartment, alarms blaring!*).
Both methods serve **different play styles**, but together they create a
**strong opening for any adventure**.
### Let the Story Unfold
Once you’ve set up the **first scene**, start playing! The Oracle will
guide what happens next, shaping the twists and surprises along the way.
## Keep the Action in Motion
A game of *Loner* is made up of a series of scenes. Each scene is a
different moment in time where something meaningful happens.
Each scene has a short-term goal. A short-term goal is a single action,
challenge, or discovery that moves the story forward.
### The Three-Step Scene Flow
Every scene follows a natural rhythm:
1. **Set Your Expectation** – What does your Protagonist want to
achieve? Look at their **traits, goal, and motivation** to determine
their action. How do you expect the world to react?\
2. **Test the Uncertainty** – If an outcome isn’t obvious (or if
overconfidence tempts fate), consult the Oracle with a **Yes/No
question**. Use **Tags** to determine if the Protagonist has an
[Advantage or Disadvantage](#advantage-and-disadvantage).\
3. **Interpret the Result** – The Oracle’s answer may confirm your
expectations or subvert them. How does this outcome reshape the
scene? What new possibilities emerge?
At first, you may want to follow this structure deliberately, but with
practice, it will become second nature — allowing the story to flow
naturally.
## Identify Your Expectations
Your Protagonist’s **traits, goals, and motivations** shape how they
interact with the world. In any given scene, you will naturally have
expectations about **what makes sense** based on these factors.
Expectations help guide the story, but they don’t always require a roll.
If an action has an **obvious and logical outcome**, let it happen.
However, when there’s **uncertainty, risk, or the chance for surprise**,
it’s time to test that expectation by consulting the Oracle.
### When to Ask the Oracle
- **If the outcome is obvious →** No need to roll; the scene unfolds as
expected.\
- **If the outcome is uncertain or risky →** Ask the Oracle a Yes/No
question.\
- **If you want an unexpected twist →** Ask even when you’re fairly
confident — sometimes reality doesn’t behave as expected!
### 📌 Example 1: No Roll Needed
> Zahra sneaks into the Leton Corporation subsidiary. She knows from
> prior surveillance that security is **lighter at night**. Since this
> aligns with logic and expectations, the scene plays out: Zahra **gets
> inside undetected** without needing to ask the Oracle.
### 📌 Example 2: Asking the Oracle for Uncertainty
> Zahra crawls through the ventilation ducts, expecting them to be
> unguarded. But what if there’s a **security alarm** hidden inside?
> That’s uncertain — so she asks the Oracle:
>
> **“Is there an alarm in the ducts?”** and rolls.
### 📌 Example 3: Asking the Oracle for an Unexpected Twist
> Zahra makes her way to the server room. She **knows** from a stolen
> security map that the door **requires only a simple override** — but
> what if she’s wrong? She asks the Oracle:
>
> **“Is the security system exactly as expected?”**
>
> The answer is **No, and…** The lock has been **upgraded recently**,
> requiring **biometric clearance** — and the real surprise? Security
> has just started their midnight patrol.
## Consulting the Oracle
Whenever you face **uncertainty** in the story, you’ll ask the
**Oracle** a **Yes/No question** and roll to determine the outcome.
### What You Need
You’ll need:\
✅ **2d6 in one color** (*Chance Dice*)\
✅ **2d6 in another color** (*Risk Dice*)
### How to Roll
When you consult the **Oracle**, roll **one Chance Die and one Risk
Die**, then follow these steps:
### **Step 1: Compare the Dice**
🔹 **Is the Chance Die higher?** → **Yes** (*Success*)\
🔹 **Is the Risk Die higher?** → **No** (*Failure*)\
🔹 **Are both dice equal?** → **Yes, but…** (*Success with a
complication, +1 to the Twist Counter*)
### **Step 2: Check for Modifiers**
📉 **Are both dice \<= 3?**\
➝ Add **but…** (*Something goes wrong or adds tension.*)
📈 **Are both dice \>= 4?**\
➝ Add **and…** (*Something extra goes in your favor.*)
### **Resolution Breakdown**
🟢 **Chance Die \> Risk Die → “Yes”**\
✅ **Both dice \<= 3 → “Yes, but…”** *(Success with a drawback)*\
✅ **Both dice \>= 4 → “Yes, and…”** *(Success with a bonus)*
🔴 **Risk Die \> Chance Die → “No”**\
❌ **Both dice \<= 3 → “No, but…”** *(Failure, but something positive
happens)*\
❌ **Both dice \>= 4 → “No, and…”** *(Failure with extra consequences)*
⚖️ **Both Dice Equal → “Yes, but…”** *(+1 Twist Counter!)*
### 📌 Example: Breaking In
> Zahra wants to **force open a security hatch** without triggering an
> alarm.\
> She asks the Oracle: **“Does Zahra manage to force the hatch?”**
>
> 🎲 Rolls: **Chance Die (5), Risk Die (4)**
>
> ✅ **Chance Die is higher** → The answer is **Yes** (*she succeeds*).\
> ✅ **Both dice are \>= 4** → Add **And…** (*something extra goes her
> way*).
>
> **Outcome:**\
> Zahra forces the hatch **without setting off an alarm**, and **she
> also finds a map of the facility inside**.
If the Risk Die had been **3** instead of **4**, the answer would have
been a plain **Yes**, without the extra benefit.
### Advantage and Disadvantage
Sometimes, the situation or a **Tag** will grant an **Advantage** or
**Disadvantage** when consulting the Oracle. This reflects how
**favorable or challenging** the circumstances are for the Protagonist.
### **How It Works**
- **Advantage** → Add an **extra Chance Die** 🎲 (positive
circumstances, useful skills, favorable conditions).\
- **Disadvantage** → Add an **extra Risk Die** 🎲 (hindrances,
complications, difficult conditions).\
- In both cases, **roll all dice of that type and keep only the highest
one**.
📌 **📌 Example of Advantage:**\
\> Zahra is attempting to **charm a suspicious merchant** into revealing
illegal goods. She has the **Tag: Smooth Talker**, so she **rolls with
Advantage** (two Chance Dice, one Risk Die).
📌 **📌 Example of Disadvantage:**\
\> Zahra is **hacking a corporate databank** under pressure, with no
expertise and a security system against her. She **rolls with
Disadvantage** (two Risk Dice, one Chance Die).
### **Important!**
⚠️ **Tags are not numbers!** Use them **intuitively**, not as rigid
bonuses or penalties. The goal is to **keep the game flowing**, not to
overanalyze every situation.
Instead of treating Tags like numerical modifiers, **think
narratively**:
- *Does the situation genuinely give an edge or impose a challenge?*\
- *Is the character leveraging a skill, trait, or circumstance that
logically grants an advantage?*\
- *Does an obstacle, flaw, or environmental factor impose a
disadvantage?*
### **Rules for Multiple Tags**
⚠️ **You can never roll more than two Chance or two Risk Dice per
roll.**
✅ **If multiple positive or negative Tags apply, they do not stack
further.**\
✅ **If both positive and negative Tags are present, they cancel out.**
| **Tag Situation** | **Dice Roll** |
|----|----|
| **One or more positive Tags (net of negatives)** | **Advantage** (roll 2 Chance Dice, 1 Risk Die) |
| **One or more negative Tags (net of positives)** | **Disadvantage** (roll 2 Risk Dice, 1 Chance Die) |
| **Positive and negative Tags cancel out** | **Neutral** (roll 1 Chance Die, 1 Risk Die) |
### **📌 Example: Hacking the Datapad**
Zahra is attempting to **hack a secure corporate databank** to retrieve
**classified information**. However, she is **not a skilled hacker**,
and the security system is highly advanced.
#### **Evaluating Advantage and Disadvantage**
🔹 **Tags Favoring Her:** None (*She has no relevant hacking skills or
tools*)\
🔹 **Tags Against Her:**
- *No Hacking Skills* *(Negative Tag: 1 Disadvantage)*\
- *Highly Protected System* *(Negative Tag: 1 Disadvantage)*
- **Total: Two Negative Tags → She rolls with Disadvantage**\
- **Disadvantage means rolling Two Risk Dice and One Chance Die**
#### **Rolling the Dice**
🎲 **Chance Die (5)**\
🎲 **Risk Dice (3), (4) → Keep the highest (4)**
📌 **Results:**
- ✅ **Chance Die (5) \> Risk Die (4)** → **Yes** (*Success!*)\
- ✅ **Both dice are 4 or higher** → Add **And…** (*Something extra goes
Zahra’s way!*).
🚀 **Final Outcome:**\
\> Zahra successfully hacks the databank **and…** she also stumbles upon
an **encrypted transmission** revealing an upcoming **covert corporate
operation**.
### **Why This System Works**
✅ **Keeps rolling simple** – No need to track excessive modifiers.\
✅ **Encourages situational storytelling** – Instead of stacking
numbers, Tags describe why a situation is easy or difficult.\
✅ **Prevents excessive stacking** – One strong Advantage or
Disadvantage is enough to shift the outcome.
## Interpreting the Oracle
The Oracle provides **a simple answer**, but **your interpretation** is
what brings it to life. Instead of treating the Oracle as just a
mechanic, use it as a **narrative driver** that pushes the story
forward.
| **Answer** | **Outcome** |
|---------------|-------------------------------------------------|
| **Yes, and…** | You get what you want **+ an extra advantage** |
| **Yes…** | You succeed in your action |
| **Yes, but…** | You succeed, **but** at a cost |
| **No, but…** | You fail, **but** you gain a small compensation |
| **No…** | You fail |
| **No, and…** | You fail **+ something makes it worse** |
### Making the Results Interesting
✅ **Straightforward answers** (*Yes/No*) are useful but can feel flat —
use them when the story needs momentum.\
✅ **Modifiers (*but…/and…*)** add layers of complexity and should push
the scene in **new, engaging directions**.\
✅ **Tie the answer back to existing story elements** — NPCs, locations,
or unresolved threads.
By actively **interpreting Oracle results** rather than just taking them
at face value, you ensure that every roll **adds tension, depth, or
intrigue to the game**.
### Methods for Interpreting the Oracle
There’s no single way to read an Oracle response. Depending on **the
context of the scene**, you can **interpret the result in different
ways** to shape the outcome dynamically.
#### 1. The Oracle as Intensity
Instead of reading the response as a **binary success or failure**,
treat it as **a measure of how well or poorly things go**:
| **Answer** | **Intensity of Outcome** |
|----|----|
| **Yes, and…** | **Major success** (Overwhelming advantage, unexpected bonus) |
| **Yes…** | **Moderate success** (Standard outcome, things go as expected) |
| **Yes, but…** | **Success with consequences** (Partial victory, unintended complication) |
| **No, but…** | **Failure with compensation** (Misses the goal, but something useful happens) |
| **No…** | **Moderate failure** (Things go wrong as expected) |
| **No, and…** | **Major failure** (Catastrophic mistake, unexpected setback) |
📌 **Example:** Zahra is sneaking past a security checkpoint.
- 🎲 **Yes, and…** → *Not only does she slip past unnoticed, but she
also finds an access key on the floor.*\
- 🎲 **Yes…** → *She gets past the checkpoint without being seen.*\
- 🎲 **Yes, but…** → *She gets through, but the guards start a random
sweep of the area.*\
- 🎲 **No, but…** → *She gets caught, but the guards assume she’s just
lost rather than an intruder.*\
- 🎲 **No…** → *She’s spotted, and the alarm is raised.*\
- 🎲 **No, and…** → *She’s spotted, captured, and now the security
system is on full lockdown.*
#### 2. The Oracle as a Twist Generator
Instead of a simple success/failure reading, let the Oracle **introduce
a new element** that wasn’t part of your initial expectations.
📌 **Example:** Zahra tries to hack into a corporate mainframe.
- 🎲 **Yes, but…** → *She gains access, but the files are heavily
encrypted, requiring another step.*\
- 🎲 **No, but…** → *She fails to hack in, but she learns that the
mainframe is vulnerable to an external backdoor.*\
- 🎲 **No, and…** → *Not only does she fail, but she accidentally trips
a silent alarm, alerting security.*
#### 3. The Oracle as Momentum Control
You can also use the Oracle to determine **whether the scene’s tension
rises, falls, or stays steady**:
| **Answer** | **Scene Momentum** |
|---------------|-------------------------------------------------------|
| **Yes, and…** | **Drives the scene forward with a major development** |
| **Yes…** | **Moves the story in a predictable direction** |
| **Yes, but…** | **Adds a complication that slows progress** |
| **No, but…** | **Shifts the focus to an alternative path** |
| **No…** | **Brings the scene to a roadblock** |
| **No, and…** | **Escalates the stakes significantly** |
📌 **Example:** Zahra is interrogating an informant.
- 🎲 **Yes, and…** → *The informant cracks immediately and spills
everything — and even offers to help.*\
- 🎲 **Yes…** → *He gives Zahra the information she wants.*\
- 🎲 **Yes, but…** → *He talks, but some details are unreliable or
missing.*\
- 🎲 **No, but…** → *He refuses to talk, but his reaction suggests he
knows something crucial.*\
- 🎲 **No…** → *He refuses to talk completely.*\
- 🎲 **No, and…** → *He shuts down and alerts someone to Zahra’s
presence.*
This interpretation helps **control pacing** — *Yes, and…* moves the
game forward rapidly, while *No, and…* forces a dramatic shift.
### 📌 Example: Expanding the Story with Interpretation
📌 **Scenario:** Zahra is sneaking into a research facility.\
📌 **Question:** *“Does she make it inside unnoticed?”*\
📌 🎲 **Oracle Answer: No, but…**
Instead of a **simple failure**, let’s apply different interpretations:
✅ **As Intensity:** She’s seen, but **only by a single distracted
guard, not the entire security team**.\
✅ **As a Twist:** She’s caught, **but the person who finds her is an
old ally instead of an enemy**.\
✅ **As Momentum Control:** She’s detected, **but instead of triggering
an alarm, the guards begin searching, giving her a brief window to
hide**.
💡 **By using flexible interpretations, the Oracle doesn’t just dictate
what happens — it guides the story in meaningful ways.**
### The Oracle as a Narrative Tool
✅ **Don’t treat Oracle results as binary.** Instead, use them to add
nuance to your game.\
✅ **Use context to shape interpretation.** A *No, and…* in a combat
scene will feel different than in a conversation.\
✅ **Experiment with different methods.** Try using the Oracle as
**intensity, momentum, or a twist generator** to keep your story fresh
and dynamic.
## Sibylline Responses
Sometimes, the Oracle’s answer **won’t make immediate sense** in the
context of your scene. Instead of getting stuck, follow these steps to
keep the story moving.
### How to Handle a Confusing Answer
1. **Don’t Overquestion It** – Avoid asking too many follow-ups to
force a “logical” result. Three Yes/No questions should be enough —
if you’re still unsure, move on.\
2. **Reframe the Answer** – Think about the broader situation. Could
this result **introduce a hidden complication** or **suggest a
deeper truth**?\
3. **Use an Open-Ended Question** – If you’re still lost, roll on an
**inspiration table** or ask something like:
- *“What unexpected factor is at play?”*\
- *“What does this reveal that I didn’t consider?”*\
4. **Default to “Yes, but…”** – If nothing else fits, treat the
response as *Yes, but…* and introduce a **minor complication** that
makes the answer work.
### 📌 Example: Dealing with a Strange Answer
> **Question:** *“Is the informant still at the bar?”*\
> 🎲 **Oracle Answer: No, and…**
>
> ❌ This doesn’t make sense — why would they suddenly leave? Instead of
> getting stuck:
>
> ✅ **Reframing the Answer:**
>
> - *Maybe someone tipped them off to danger?*\
> - *Maybe they were kidnapped?*\
> - *Maybe “No, and…” doesn’t mean they left — maybe they were never
> real to begin with?*
> **Final Interpretation:**\
> The informant is gone, **and… the bartender nervously avoids eye
> contact, suggesting at foul play.** Now the story moves forward with
> **a new layer of intrigue**.
## Twist Counter
The **Twist Counter** represents **rising tension in the narrative**.
Every time you roll **doubles** (both dice show the same number), you:
✅ **Add 1 to the Twist Counter.**\
✅ If the **Counter reaches 3**, a **Twist occurs** and resets the
Counter to **0**.
If the Counter is **below 3**, treat the result as **“Yes, but…”**
instead of triggering a twist.
### 📌 Example: A Ticking Tension
> Zahra is trying to **decrypt stolen files** to uncover evidence
> against a powerful corporation. She asks the Oracle:
>
> **“Do the files contain evidence of illegal activities?”**\
> 🎲 **Rolls:** (4) \[4\] → **Doubles!**
✅ The answer is **“Yes, but…”** → The files do contain illegal
activity…\
✅ **+1 to the Twist Counter** (which was already at **2**) → The
**Twist triggers!**
> **Twist Triggered:** The Counter resets to **0**, and we roll 2d6 on
> the **Twist Table**…
🎲 **Twist Roll:** (1, 5) → **“A third party” + “Changes the goal”**
> **Interpretation:** Zahra now has the evidence — but suddenly, **a
> corporate agent contacts her with an offer**:\
> *“You can expose us… or take a deal that changes your life.”*
## Determine the Twist
When the **Twist Counter reaches 3**, roll **2d6** on the table below:
| D6 | **Subject** | **Action** |
|:---:|:------------------:|:-------------------:|
| 1 | A third party | Appears |
| 2 | The hero | Alters the location |
| 3 | An encounter | Helps the hero |
| 4 | A physical event | Hinders the hero |
| 5 | An emotional event | Changes the goal |
| 6 | An object | Ends the scene |
Interpret the **two-word result** within the context of the current
scene. Twists should **shake up the story**, forcing the Protagonist to
adapt.
### **📌 Example: How a Twist Changes the Story**
> **Scenario:** Zahra is infiltrating a high-tech facility to steal
> corporate secrets.\
> She asks: **“Can she reach the secure server unnoticed?”**\
> 🎲 **Rolls:** (3) \[3\] → **Doubles!** → **Twist Counter reaches 3 → A
> Twist occurs!**
>
> 🎲 **Twist Roll:** (4, 2) → **“A physical event” + “Alters the
> location”**
**Interpretation:** Just as Zahra nears the server room, **an explosion
rocks the building**. Security scrambles, alarms blare — **but now the
mission has changed**. Instead of sneaking in, she needs to **escape the
collapsing structure with whatever data she can grab.**
### Why the Twist Counter Matters
The **Twist Counter** keeps *Loner* full of **surprises**, ensuring no
two stories play out the same way.
✅ **Builds tension naturally** — the more doubles you roll, the closer
a twist becomes.\
✅ **Prevents predictable storytelling** — forcing the game world to
react dynamically.\
✅ **Encourages creative interpretation** — every twist reshapes the
adventure in unexpected ways.
## Conflicts
A **Conflict** occurs whenever **two or more forces oppose each other**,
whether through **combat, competition, persuasion, or resistance**.
Conflicts are not limited to **physical fights** — they also include:
- **Verbal duels** (*intimidation, negotiations, debates*)\
- **Tactical contests** (*chases, sabotage, heists*)\
- **Mental struggles** (*resisting psychic influence, enduring
torture*)\
- **Vehicle battles** (*dogfights, ship-to-ship combat*)
### Ways to Resolve a Conflict
There are three approaches to resolving conflicts, depending on how much
detail you want:
1. **Single Yes/No Question** – Ask the Oracle whether the Protagonist
succeeds or fails.\
2. **Series of Yes/No Questions** – Break the conflict into key actions
and resolve them one by one.\
3. **Harm & Luck System** – Track Luck loss to determine when a
character is overcome.
⚠️ **The Twist Counter does NOT apply to Harm & Luck!** The Oracle still
drives unexpected outcomes, but Luck-based conflicts rely on direct dice
rolls.
### Resolving Conflicts by Key Actions
Instead of using the **Harm & Luck** system, you can resolve conflicts
through a **series of closed Oracle questions**, determining the outcome
of **each key action** in the scene.
This method is a **middle ground** between:\
✅ **A single-question conflict resolution** (*“Do I win the fight?”*),
which can be too abrupt.\
✅ **The Harm & Luck system**, which introduces **attrition-based
resolution** but may feel too structured.
### **How It Works**
1️⃣ **Describe each action as a distinct moment** and ask the Oracle
whether it succeeds or fails.\
2️⃣ **Use the result modifiers (“but…”/“and…”)** to introduce twists and
consequences.\
3️⃣ **Let the outcome shape the next step in the scene** — without
needing to track Luck loss.
### **📌 Example: A Firefight in an Abandoned Factory**
> Zahra is caught in a gunfight inside a **dilapidated chemical plant**,
> exchanging fire with a bounty hunter. Instead of tracking Luck, she
> resolves the battle action by action:
🔹 **First Action:**\
🗣️ *“Can I take cover behind the wall?”*\
🎲 **Yes, but…**\
✅ *She reaches cover, but her line of fire is obstructed — giving her a
Disadvantage.*
🔹 **Second Action:**\
🗣️ *“I aim at the opponent, can I get the first shot in?”*\
🎲 **No, but…**\
❌ *She misses — but the bounty hunter is forced to move, breaking his
own line of fire.* (Now Zahra gains an Advantage.)
🔹 **Final Action:**\
🗣️ *“I shoot a slag container above him. Do I hit it?”*\
🎲 **Yes, and…**\
✅ *The shot lands perfectly — the container crashes down, knocking the
bounty hunter out cold.*
### Why Use This Method?
✅ **Creates cinematic, fast-paced encounters** — each action **unfolds
dynamically** instead of tracking damage.\
✅ **Encourages creative solutions** — instead of **hit point
attrition**, players find **ways to shift the fight in their favor**.\
✅ **Adds unpredictability** — since **each move is a separate Oracle
roll**, conflicts can take unexpected turns.
### When to Use It
Use this approach when you want **fluid, improvisational conflict
resolution**, focusing on **tactical decisions and momentum** rather
than a structured back-and-forth fight.
It’s especially great for:
- **Chases and heists** where every move shifts the stakes.\
- **Tense negotiations** where each argument changes the power dynamic.\
- **Battles where the environment plays a major role.**
This system **keeps conflicts fast, reactive, and engaging**, making
every choice matter **without tracking Luck points**. 🚀
### Handling Conflicts with Multiple Opponents
Not all conflicts involve a **one-on-one confrontation** — sometimes the
Protagonist must face **multiple adversaries** at once. How this plays
out depends on **narrative context** and the desired level of
complexity.
### **Option 1: Treat the Opponents as a Single Entity**
📌 **Best for: Mobs, Minions, or Coordinated Groups**
One simple way to manage multiple opponents is to **treat them as a
single “character”** with:
- **A shared Concept and Skills** (*Elite Mercenary Squad, Swarm of
Cultists, Riot Police Formation*).\
- **A single Luck pool** that represents **their overall strength**.\
- **A Fragility** related to their **numbers** — the larger the group,
the harder it may be to coordinate their actions effectively.
✅ **Pros:** Keeps the encounter fast-paced and prevents excessive dice
rolling.\
❌ **Cons:** Doesn’t emphasize individual threats — treats the
opposition as an abstract challenge.
### Option 2: Handle Opponents as Separate Entities
📌 **Best for: Named Villains, Small Groups with Unique Roles, Rival
Teams**
If each opponent is distinct, **resolve their actions individually**,
using:
- **Separate Luck pools** for key adversaries (*a commander, a rival
bounty hunter, an elite duelist*).\
- **A mix of conflict resolution methods** — you might resolve the
**mooks** as a single entity but use full Harm & Luck for the **boss
fight**.\
- **Oracle rolls to dictate group behavior** (*Do they fight as a unit?
Do they break formation?*).
✅ **Pros:** Creates a more tactical, cinematic encounter.\
❌ **Cons:** Can slow down play if not streamlined.
### 📌 Example: A Fight Against a Mercenary Squad
> Zahra is **ambushed by five corporate mercenaries**. Instead of
> rolling for each one separately, they are treated as **a single unit**
> with the Concept *Tactical Strike Team* and Skill *Coordinated
> Maneuvers*.
>
> 🎲 The Oracle determines their **strategy**: *Do they fan out to
> surround her?* *Do they immediately open fire?*
>
> As the fight unfolds:\
> ✅ Zahra’s attacks **whittle down their shared Luck pool**.\
> ✅ If she exploits their **Fragility (poor coordination under
> stress)**, she can **force them into disarray** instead of fighting to
> the last.
### Why Use These Methods?
✅ **Keeps group encounters manageable** — rolling separately for a
large group can slow the game down.\
✅ **Maintains narrative flow** — players can focus on the **tension of
the scene** rather than excessive mechanics.\
✅ **Gives flexibility** — whether treating enemies as a unit or
separate threats, the system adapts to the situation.
The key takeaway? **Conflicts should serve the story, not bog it down.**
Whether you treat opponents as a **swarm, a unit, or distinct
characters**, the goal is to **keep the action moving** while making the
challenge feel real.
## Harm & Luck
If a **conflict involves risk and attrition**, you can track **Luck
loss** to determine the outcome.
🎲 **When engaging in a conflict:**
- Roll as normal to determine if the Protagonist **gets what they
want**.\
- If they succeed, they deal damage. If they fail, they take damage.
📉 **Luck represents resilience, endurance, and fortune.** A character
who runs out of Luck is **defeated** — but what that means depends on
the context:
- In a **brawl**, they might be knocked out.\
- In a **verbal duel**, they might concede the argument.\
- In a **chase**, they might lose their target.
### How Luck Loss Works
Use the following table to determine how much **Luck damage** is
inflicted:
| **Oracle Result** | **Luck Damage** |
|-------------------|---------------------------------|
| **Yes, and…** | Deal **3** damage to opponent |
| **Yes…** | Deal **2** damage to opponent |
| **Yes, but…** | Deal **1** damage to opponent |
| **No, but…** | Take **1** damage from opponent |
| **No…** | Take **2** damage from opponent |
| **No, and…** | Take **3** damage from opponent |
🛑 **Reaching 0 Luck means the character has lost the conflict!**
At **0 Luck**, the **story dictates the consequences**, like:
- Are they **captured**?\
- Are they **severely injured**?\
- Do they **retreat and regroup**?
### 📌 Example: Alley Fight
> Zahra faces a **thug in an alley**. The thug has the Tags *Martial
> Artist*, *Hand-to-Hand Combat*, *Feline*, and *Short*.
>
> 🎲 Zahra **attacks with a knife** and rolls **(5) (6) \[4\]** →
> **“Yes, and…”**\
> ✅ **She succeeds and deals 3 damage!** (Thug’s Luck drops from 6 to
> 3)
>
> 🎲 The thug **counterattacks with a kick** and rolls **(3) (2) \[2\]**
> → **“Yes, but…”**\
> ✅ **Zahra takes 1 damage!** (Her Luck drops from 6 to 5)
>
> Who will win? The fight continues!
### Why Use the Harm & Luck System?
✅ **Keeps conflicts dynamic** – Instead of just Yes/No answers, Luck
loss adds a **progressive sense of tension**.\
✅ **Flexible outcomes** – Losing a conflict doesn’t always mean death;
it means the story takes a new turn.\
✅ **Scales to different scenarios** – Whether it’s a duel, a chase, or
a negotiation, **Luck tracks when a character is pushed beyond their
limits**.
### **Luck and Narrative Consequences**
Luck does not function as a **health bar** — it represents a
**character’s ability to evade misfortune, manipulate fate, or endure
challenges**. When Luck runs out, it signals **a shift in the story**,
not necessarily **injury or death**.
#### What Happens When a Character Reaches 0 Luck?
📌 **Losing all Luck doesn’t mean immediate death** — instead, it
signals a dramatic turning point. The Oracle and story context should
guide what happens next.
- **In Combat?** → The character might be captured, knocked unconscious,
or forced to flee.\
- **In a Chase?** → They lose their target or get cornered.\
- **In a Debate?** → They are outmaneuvered and must concede or face
consequences.\
- **In a Heist?** → They trigger an alarm or leave behind crucial
evidence.
The moment Luck reaches **zero**, stop rolling — **the conflict has
reached its conclusion**. Now, ask: **What makes sense for the story?**
### 📌 Example: When Luck Runs Out
> Zahra is **dueling a bounty hunter** in the ruins of an abandoned
> station.
>
> 🎲 The fight escalates, and Zahra’s **Luck drops to 0**. The Oracle
> will no longer determine small exchanges — her fate is sealed.
>
> ✅ Instead of dying outright, she is **disarmed and pinned against a
> bulkhead**. The bounty hunter smirks, dragging her toward his ship —
> **now the real challenge begins: how does Zahra escape?**
🛑 **This keeps the story moving instead of ending with a simple “you
lose.”** Running out of Luck is not the end — it’s a turning point.
### **Embracing Luck as a Story Mechanic**
**✅ Luck keeps conflicts cinematic.** Instead of tracking minor
injuries, it builds tension until a **definitive outcome** occurs.\
**✅ It ensures conflicts don’t drag on forever.** Once Luck is
depleted, the story shifts direction.\
**✅ It allows for unexpected twists.** Losing Luck can introduce new
**obstacles, bargains, or unintended consequences**.
When using the **Harm & Luck** system, think less about **“how much
damage does this do?”** and more about **“how does this moment change
the story?”**
## Determine the Mood of the Next Scene
At the end of a scene, you might already know where the story is headed.
However, if you’re unsure, roll **1d6** to determine the overall **mood
and focus** of the next scene.
| 🎲 **D6 Roll** | **Next Scene Type** | **What It Means** |
|:--:|:--:|:---|
| **1-3** | **Dramatic Scene** | Raises stakes, adds new obstacles or dangers. |
| **4-5** | **Quiet Scene** | A pause to recover, reflect, or make plans. |
| **6** | **Meanwhile…** | Shifts focus to a different perspective or subplot. |
### Types of Scenes Explained
🔴 **Dramatic Scene (1-3)**\
The **action and tension continue**. The situation worsens, new
obstacles emerge, or an unexpected event forces the Protagonist to
adapt.
✅ **Use when:**
- A villain makes their move.\
- The environment introduces new dangers.\
- The Protagonist’s plans start to unravel.
🟢 **Quiet Scene (4-5)**\
The **calm before the storm**. The Protagonist can **rest, regroup, and
prepare** for what comes next. Conversations, character development, and
small discoveries take center stage.
✅ **Use when:**
- The Protagonist needs to heal, gather intel, or plan.\
- Relationships deepen or shift.\
- The world reacts to past events without immediate conflict.
🔄 **Meanwhile Scene (6)**\
The **focus shifts away** from the Protagonist, cutting to **villains,
allies, or unseen forces** at play. This adds **depth to the world** and
introduces **new threats or opportunities** before the Protagonist
learns about them.
✅ **Use for:**
- A villain’s next move (*the assassin gets their orders*).\
- A subplot progressing (*the rebellion plans its next strike*).\
- A shift in the world (*a storm brews on the horizon*).
### 📌 Example: A Twisting Narrative
> Zahra **accepts a corporate agent’s offer**, but what happens next?
> She rolls **1d6 → 6**: **Meanwhile…**\
> Instead of following Zahra, the scene shifts to **Tobias Wethern, her
> former mentor**, who is **hiring a hitman to eliminate her.**
The **“Meanwhile” scene builds tension** — Zahra doesn’t know she’s
being targeted, but the **player does**. This creates dramatic irony and
shapes upcoming conflicts.
### Why Use This System?
✅ **Keeps the pacing dynamic** – Not every scene needs to be
action-packed or slow-paced; the roll ensures variety.\
✅ **Adds depth to the world** – A *Meanwhile* scene makes the world
feel alive beyond the Protagonist’s actions.\
✅ **Encourages organic storytelling** – By following the roll, you
introduce twists you may not have considered.
## Open-Ended Questions & Inspiration
Not all questions can be answered with a simple **Yes or No**. When you
need unexpected inspiration, or want to **generate fresh ideas**, roll
**1d6 on each table below** (Verb, Noun, and optionally Adjective) to
create a prompt.
This method helps when:
- You need a **plot twist** but don’t know what it should be.\
- The Oracle gives a vague answer, and you want to **expand on it**.\
- You’re looking for **unexpected connections** between story elements.
🔹 **Roll at least a Verb and a Noun.** Add an Adjective for more
nuance.\
🔹 **Interpret freely** — the result doesn’t have to be literal!
| Verbs | 1 | 2 | 3 | 4 | 5 | 6 |
|:-----:|:--------:|:------:|:-------:|:--------:|:-------:|:-------:|
| 1 | inject | pass | own | divide | bury | borrow |
| 2 | continue | learn | ask | multiply | receive | imagine |
| 3 | develop | behave | replace | damage | collect | turn |
| 4 | share | hand | play | explain | improve | cough |
| 5 | face | expand | found | gather | prefer | belong |
| 6 | trip | want | miss | dry | employ | destroy |
| Adjectives | 1 | 2 | 3 | 4 | 5 | 6 |
|:--:|:--:|:--:|:--:|:--:|:--:|:--:|
| 1 | frequent | faulty | obscene | scarce | rigid | long-term |
| 2 | ethereal | sophisticated | rightful | knowledgeable | astonishing | ordinary |
| 3 | descriptive | insidious | poor | proud | reflective | amusing |
| 4 | silky | worthless | fixed | loose | willing | cold |
| 5 | quiet | stormy | spooky | delirious | innate | late |
| 6 | magnificent | arrogant | unhealthy | enormous | truculent | charming |
| Nouns | 1 | 2 | 3 | 4 | 5 | 6 |
|:-----:|:----------:|:-------:|:------:|:------:|:---------:|:--------:|
| 1 | cause | stage | change | verse | thrill | spot |
| 2 | front | event | home | bag | measure | birth |
| 3 | prose | motion | trade | memory | chance | drop |
| 4 | instrument | friend | talk | liquid | fact | price |
| 5 | word | morning | edge | room | system | camp |
| 6 | key | income | use | humor | statement | argument |
### 📌 Example: Seeking Help in Desperation
> **Question:** *“Does Zahra have friends who can help her against the
> hitman?”*\
> 🎲 **Rolls:** 2-4 (**multiply**) and 3-2 (**motion**) → **Multiply
> Motion**
✅ Interpretation: Zahra **must move quickly** to reach a trusted
contact before it’s too late.
> **Final Outcome:** She rushes to **Melina Reade, an underworld
> hacker** who might provide crucial intel — but getting to her in time
> won’t be easy!
## When the Story Ends
Every adventure reaches a **natural conclusion** — but how do you know
when it’s time to wrap things up?
### **Signs That Your Story Is Ending**
✅ **The Protagonist has achieved (or failed) their goal.**\
✅ **A major revelation has changed everything.** (Victory, loss, or a
new status quo.)\
✅ **The conflict has reached a satisfying resolution.** (An enemy is
defeated, a mystery is solved, a journey ends.)\
✅ **The story’s momentum slows.** (If you’re struggling to find the
next big scene, it might be time to end the adventure.)
Once the story concludes, reflect on how the experience has changed your
Protagonist.
### Post-Game Character Growth
At the end of the adventure, **modify your Protagonist** to reflect what
they’ve learned. You may:
- **Add a new Skill, Gear, or Frailty** based on the events of the
story.\
- **Introduce a new Nemesis** if the adventure ended with lingering
enemies.\
- **Modify an existing trait** to show growth or transformation.
📌 **Also update:**
- **NPCs, Locations, and Events** that may return in future adventures.
### 📌 Example: Growth Through Conflict
> Zahra secures the datapad and hands it over to the authorities,
> **framing both Wethern and the Leton Corporation**. Wethern is
> arrested, but now she has a **powerful enemy working from the
> shadows**.
>
> **Post-Game Updates:**
>
> - Gained **Skill:** *Wannabe Hacker* (*Melina Reade might mentor
> her!*)\
> - New **Nemesis:** *The Leton Corporation* (*They won’t let this
> slide…*)
### Future Adventures
Even if one story ends, your Protagonist’s journey **doesn’t have to be
over**. Use your updated character sheet to start a new session with:
- **A fresh mission tied to past events.**\
- **A revenge arc or lingering consequence.**\
- **A brand-new setting, using past allies and enemies.**
This ensures that every adventure leaves a **lasting impact**, making
future stories richer and more connected.
## Loner Together
While *Loner* is designed for **solo play**, its mechanics can be
adapted for **group sessions**. Since the game is derived from
**Freeform Universal**, there’s nothing stopping you from playing it
with others — if you really want to.
There are two main ways to play *Loner* in a group:
### **1. Without a Game Master (GM-less Mode)**
- Each player controls their own **Protagonist** and asks questions to
the **Oracle**, just like in solo play.\
- The **Oracle’s answers and world reactions** are interpreted by the
player who asked the question.\
- A **Facilitator** (either a rotating or fixed role) helps
**moderate**, **remind players of rules**, and **settle disputes** if
needed.\
- Questions affecting the **whole group** should be discussed
collectively.
### **2. With a Game Master**
- The **GM does not roll dice** — only the players consult the Oracle.\
- The GM interprets Oracle responses and presents the **world’s
reactions**.\
- The GM also acts as a **facilitator**, guiding the flow of the story
and helping resolve questions.
### Should You Play *Loner* in a Group?
While these modes work, *Loner* is fundamentally built for **solo
play**. If you’re looking for a multiplayer experience, you may find
**Freeform Universal** better suited to structured group storytelling.
But if you insist on adapting *Loner* for a group — go for it. Just be
prepared to tweak things as needed.
## The Adventure Maker
Sometimes, you might **struggle with inspiration** or want to
**experiment with an unexpected setting**. The **Adventure Maker** helps
you generate a **unique world and adventure premise** using simple dice
rolls.
Use this tool when:\
✅ You **don’t have a setting in mind** and want a fresh, random world.\
✅ You want to **challenge yourself** by playing in a genre or theme you
wouldn’t normally pick.\
✅ You need a **quick framework** before diving into your *Loner*
session.
### How to Use the Tables
#### Generate a Setting
🎲 **Roll once on each of the following tables:**
1. **Settings Table** → Defines the world’s broad **theme or
environment**.\
2. **Tones Table** → Determines the **atmosphere and mood** of the
setting.\
3. **Things Table** (Roll twice) → Introduces key **elements** that
define the world.
#### Generate an Adventure Premise
🎲 **Roll on these tables to create the backbone of your adventure:**
1. **Opposition Table** → Identifies the **main antagonist or
challenge**.\
2. **Actions Table** (Roll twice) → Determines **what needs to be
done**.\
3. **Things Table** → Adds a **unique object, mystery, or event** to
the mix.
📌 **Important:** The **adventure premise** is **not the initial scene**
— it’s just the **framework** for your story. You’ll still define how it
starts when you begin playing.
### 📌 Example: Generating an Adventure
🎲 **Rolls:**
- **Setting:** *Sword and Sorcery Adventure*\
- **Tone:** *Eerie and Paranormal*\
- **Things:** *Vast Empires, Different Factions*\
- **Opposition:** *(Roll was unclear, so let’s interpret based on the
setting — perhaps a Secretive Cult?)*\
- **Actions:** *Seek + (Second action roll was unclear, let’s assume
Uncover?)*
✅ **Result:**\
\> The story takes place in a **mystical land of vast, crumbling
empires**, where **hidden factions maneuver for power in the shadows**.
The Protagonist, a wandering mage, is on a **quest to seek out ancient
knowledge** — but in doing so, they will **uncover the truth about a
secret cult pulling the strings of history**.
### Why Use the Adventure Maker?
✅ **Instant inspiration** – No need to plan in advance; just roll and
go!\
✅ **Encourages creativity** – Helps you explore new settings and
stories.\
✅ **Keeps the game fresh** – Every adventure will feel different.
Use it **as a starting point**, then shape the story as you play.
*Loner* thrives on **emergent storytelling**, and the Adventure Maker is
just the spark to get you started.
### Table 1: Settings
| | 1 | 2 | 3 | 4 | 5 | 6 | |
|----|----|----|----|----|----|----|----|
| 1 | Post-Apocalyptic Wasteland | High Fantasy Kingdom | Medieval War and Intrigue | Cyberpunk Megacorporation | Futuristic Space Colony | Supernatural Noir City | |
| 2 | Alternate History | Pirate-Filled Seas | Wild West Frontier | Dark Fantasy Realm | Futuristic Dystopian City | Ancient Greek Mythology | |
| 3 | Space Opera Adventure | Samurai-Era Japan | Zombie Survival | Superhero Metropolis | Cold War Espionage | Modern Crime Syndicate | |
| 4 | Magic School for Young Mages | Horror-Filled Asylum | Epic Fantasy Quest | Cybernetic Organisms and Androids | Lovecraftian Cosmic Horrors | Sword and Sorcery Adventure | |
| 5 | Urban Fantasy Underworld | Abandoned Space Station | Colonial America | Mythical Creatures and Legends | Martial Arts Action | Horror-Stricken Carnival | |
| 6 | Underwater Adventure and Exploration | Jungle-Covered Planet | Steampunk Victorian Era | Time Travel Paradoxes | Intergalactic Starfighter Battles | Survival in a Savage Land | |
| | | | | | | | |
### Table 2: Tones
| | 1 | 2 | 3 | 4 | 5 | 6 |
|----|----|----|----|----|----|----|
| 1 | Dark and brooding | Melancholic and poetic | Lighthearted and humorous | Quirky and absurd | Gritty and realistic | Violent and brutal |
| 2 | Epic and grandiose | Majestic and inspiring | Suspenseful and thrilling | Fast-paced and chaotic | Mysterious and enigmatic | Philosophical and introspective |
| 3 | Action-packed and adventurous | Heroic and daring | Romantic and whimsical | Tragic and melancholic | Horror-filled and terrifying | Oppressive and claustrophobic |
| 4 | Technologically advanced and sleek | Optimistic and utopian | Grungy and dirty | Bleak and hopeless | Gothic and ominous | Cosmic and unknowable |
| 5 | Surreal and dreamlike | Psychedelic and hallucinatory | Futuristic and dystopian | Cynical and satirical | Nostalgic and timeless | Folkloric and mythical |
| 6 | Eerie and paranormal | Unsettling and uncanny | Martial and disciplined | Cold and detached | Gracious and elegant | Ceremonial and ritualistic |
### Table 3: Things
| | 1 | 2 | 3 | 4 | 5 | 6 |
|:--:|:--:|:--:|:--:|:--:|:--:|:--:|
| 1 | Magic | Monsters | Ancient relics | Medieval castle | Futuristic technology | Spaceship |
| 2 | Ancient ruins | Forbidden knowledge | Secret society | Dangerous quest | Band of adventurers | Unseen forces |
| 3 | Hidden treasure | Dark magic | Mystical creatures | Supernatural powers | Epic battle | Intriguing plot |
| 4 | Suspicious characters | War-torn land | Dangerous wilderness | Political intrigue | World domination | Suspenseful journey |
| 5 | Dark secrets | Forbidden love | Intense conflict | Death-defying stunts | Powerful artifacts | Epic journeys |
| 6 | Unpredictable twists | Dynamic characters | Different factions | Vast empires | Epic heroes | Legendary creatures |
| | 1 | 2 | 3 | 4 | 5 | 6 |
|:--:|:--:|:--:|:--:|:--:|:--:|:--:|
| 1 | Post-apocalyptic wasteland | Steampunk cityscape | Dragon-infested skies | Haunted mansion | Futuristic metropolis | Intergalactic trade routes |
| 2 | Lost city of gold | Artificial intelligence | Pirate’s cove | Time-travel paradox | Espionage | Extraterrestrial beings |
| 3 | Underwater kingdom | Epic sea voyage | Superheroic powers | Time loops | Alternate realities | Virtual reality simulation |
| 4 | Intriguing mystery | Mutant uprising | Advanced biotechnology | Futuristic society | Alternate history | Cyberpunk dystopia |
| 5 | Extensive lore | Unstoppable virus | Enchanted forest | The unknown frontiers | Advanced robotics | Secrets of the universe |
| 6 | End of the world scenarios | Telekinetic abilities | Futuristic weapons | Dimension hopping | Techno-sorcery | Superpowered conflict |
| | 1 | 2 | 3 | 4 | 5 | 6 |
|:--:|:--:|:--:|:--:|:--:|:--:|:--:|
| 1 | Lost civilization | Decaying metropolis | Gothic horror | Wild west frontier | Futuristic cyberwarfare | Space exploration |
| 2 | Political uprising | Artificial lifeforms | Mercenaries and assassins | Time-traveling adventures | Espionage mission | Alien invasion |
| 3 | Underwater adventure | Epic siege | Magical abilities | Time anomalies | Alternate timeline | Virtual reality nightmare |
| 4 | Intriguing conspiracy | Mutant insurgency | Cybernetic enhancements | Futuristic utopia | Historical reimagining | Cyberpunk rebellion |
| 5 | Extensive world-building | Unstoppable monster | Enchanted kingdom | The final frontier | Robotic revolution | Secrets of the ancients |
| 6 | End of the era scenarios | Psionic abilities | Futuristic battlefields | Interdimensional portals | Technomancy | Superpowered diplomacy |
### Table 4: Actions
| | 1 | 2 | 3 | 4 | 5 | 6 |
|:---:|:-----------:|:--------:|:----------:|:---------:|:---------:|:-------:|
| 1 | Cast | Battle | Free | Explore | Upgrade | Pilot |
| 2 | Decipher | Seek | Infiltrate | Complete | Join | Uncover |
| 3 | Find | Master | Tame | Harness | Win | Unravel |
| 4 | Interrogate | Navigate | Survive | Influence | Overthrow | Endure |
| 5 | Guess | Pursue | Resolve | Perform | Acquire | Embark |
| 6 | Anticipate | Develop | Ally | Expand | Become | Slay |
### Table 5: Oppositions
| | 1 | 2 | 3 | 4 | 5 | 6 |
|:--:|:--:|:--:|:--:|:--:|:--:|:--:|
| 1 | Dark wizards | Savage beasts | Malevolent spirits | Arrogant noblemen | Dangerous traps | Ruthless bandits |
| 2 | Undead armies | Corrupt politicians | Sinister organizations | Vicious monsters | Treacherous terrain | Despotic rulers |
| 3 | Powerful artifacts | Merciless assassins | Dangerous creatures | Ancient curses | Complex puzzles | Powerful spells |
| 4 | Ruthless mercenaries | Dark forces | Terrible secrets | Insidious plots | Vicious predators | Unforgiving elements |
| 5 | Lethal poison | Ancient prophecies | Irresistible temptations | Powerful enchantments | Ruthless warlords | Unseen dangers |
| 6 | Terrible curses | Devious traps | Sinister conspiracies | Dangerous illusions | Malevolent entities | Ruthless factions |
## Afterword
The third edition of *Loner* keeps the rules **unchanged**, but
completely **refines their presentation**, making them **clearer, more
accessible, and supported by practical examples**.
This marks a **significant improvement** from the **rigid and overly
technical tone** of the first two editions. While previous versions were
well-received and appreciated, some players found their **presentation
too dry or difficult to fully grasp**.
With this new edition, my hope is that *Loner’s* **unique storytelling
paradigm**—so different from traditional RPGs—will be **easier to
understand, embrace, and enjoy.**
## Credits
- [Recluse Engine](https://gravenutterance.itch.io/recluse) (CC BY 4.0)
by Graven Utterance and Tiny Solitary Soldier Oracle for the main
resolution and scene mechanics.
- [Freeform Universal Roleplaying
Game](https://www.perilplanet.com/freeform-universal/) (CC BY 4.0) by
Nathan Russell as an inspiration of the whole game and the character
traits.
- Harm mechanics are from [6Q
System](https://chaosmeister.itch.io/6-q-system) (CC BY 4.0) by Marcus
Burggraf.
- Tana Pigeon for [Mythic](https://www.wordmillgames.com/mythic.html)
and clarifying for me the mechanisms of expectation and testing.
- S. John Ross for [Risus](https://www.risusrpg.com/) and to have taught
me the beauty of clichés and that not all conflicts are combat.
- The Adventure Maker setup is inspired from *The Instant Game* by
Animalball Partners (2007). None of its content is used here.
With deepest thanks to :
- Shane Conner for proof reading and revision of the text of the First
Edition.
- The Loner Facebook Group and r/LonerRPG for constantly pushing me to
improve and extend the Loner framework with new ideas and settings.
- Ruolatori Solitari for their support on the development of the second
edition.
## Appendix A: Loner Diceless
This version of *Loner* removes dice from the resolution process,
relying instead on **character abilities, narrative circumstances, and
resources** to determine outcomes. By applying a **structured decision
matrix**, you ensure **consistent and logical** resolutions without
randomness.
## How It Works
### 1. Setup
Before resolving an action, establish the criteria that will influence
the outcome:
- **Does the character have a relevant skill or ability?**\
- **Are the circumstances favorable or unfavorable?**\
- **Has the character prepared or gathered resources?**
These factors will determine the result using a **decision matrix**
instead of rolling dice.
### 2. Resolution Process
🟢 **Step 1: Ask the Question**\
The player poses a **closed question** requiring resolution.\
📌 *📌 Example:* *“Is the door unlocked?”*
🟡 **Step 2: Evaluate Factors**\
Assess **character traits, situational context, and available
resources**:
- **Does the character have a relevant skill or ability?**\
- **Are the circumstances beneficial or challenging?**\
- **Has the character gathered special tools or knowledge?**
🔴 **Step 3: Apply the Decision Matrix**\
Using the answers from Step 2, consult the **decision matrix** to
determine the final outcome.
⚠️ **Step 4: Track Twists**\
If the answer is **“Yes, but…”** add **1 point to the Twist Counter** as
usual.
### 3. The Decision Matrix
| **Player Factor/Action** | **Influence** | **Outcome** |
|---------------------------------------|---------------|---------------|
| **Relevant Skill/Ability Present** | **High** | **Yes** |
| **Relevant Skill/Ability Absent** | **Low** | **No** |
| **Favorable Circumstances** | **Medium** | **Yes, but…** |
| **Unfavorable Circumstances** | **Medium** | **No, but…** |
| **Exceptional Resources/Preparation** | **High** | **Yes, and…** |
| **Lack of Resources/Preparation** | **Low** | **No, and…** |
✅ **The more factors working in favor of the character, the stronger
the success.**\
❌ **The more obstacles, the greater the chance of complications or
failure.**
### 4. Guidelines for Interpretation
📌 **Step 1: Check for a Relevant Skill or Ability**
- If the character **has a related skill**, lean toward **Yes**.\
- If they **lack the skill**, lean toward **No**.
📌 **Step 2: Assess Circumstances**
- **If the situation is favorable**, lean toward **Yes, but…**.\
- **If it’s unfavorable**, lean toward **No, but…**.
📌 **Step 3: Consider Resources and Preparation**
- **If the character has special tools, intel, or allies**, lean toward
**Yes, and…**.\
- **If they are ill-equipped or rushed**, lean toward **No, and…**.
### 5. Resolution 📌 Example
🔍 **Scenario:** Zahra is trying to pick the lock on a **corporate lab
door** while being pursued by security.
🗣️ **Question:** *“Is the door unlocked?”*
✅ **Evaluating Factors:**
- **Character Factors:** Zahra **does NOT have lockpicking skills**
(*Relevant Skill Absent* ❌).\
- **Circumstances:** The door is **reinforced and high-security**
(*Unfavorable Circumstances* ⚠️).\
- **Resources/Preparation:** She has **basic tools but no advanced
hacking device** (*Lack of Exceptional Resources* ❌).
🎯 **Decision Matrix Outcome:**
- *Relevant Skill Absent* → **No**\
- *Unfavorable Circumstances* → **No, but…**\
- *Lack of Resources* → **No, and…**
📌 **Final Decision:** *“No, and…”*\
\> Zahra **fails to unlock the door, and… security drones activate,
detecting her presence.**
### 6. Why Use the Diceless Oracle?
✅ **Removes randomness** – Outcomes are based purely on **character
choices and world conditions**.\
✅ **Encourages strategic play** – Players must **plan ahead**, using
skills and resources wisely.\
✅ **Keeps the narrative flowing** – No need for dice; just **apply
logic and move forward**.
This approach allows *Loner* to be played with **pure storytelling
mechanics**, making each challenge feel like **a direct consequence of
past choices** rather than a random roll.
## Appendix B: Resolution Matrix
| Risk Chance | 1 | 2 | 3 | 4 | 5 | 6 |
|:--:|:--:|:--:|:--:|:--:|:--:|:--:|
| **1** | 🔄 Yes, but… +1 Twist | ⚠️ Yes, but… | ⚠️ Yes, but… | ✅ Yes | ✅ Yes | ✅ Yes |
| **2** | ⚠️ No, but… | 🔄 Yes, but… +1 Twist | ⚠️ Yes, but… | ✅ Yes | ✅ Yes | ✅ Yes |
| **3** | ⚠️ No, but… | ⚠️ No, but… | 🔄 Yes, but… +1 Twist | ✅ Yes | ✅ Yes | ✅ Yes |
| **4** | ❌ No | ❌ No | ❌ No | 🔄 Yes, but… +1 Twist | ⭐ Yes, and… | ⭐ Yes, and… |
| **5** | ❌ No | ❌ No | ❌ No | ⭐ No, and… | 🔄 Yes, but… +1 Twist | ⭐ Yes, and… |
| **6** | ❌ No | ❌ No | ❌ No | ⭐ No, and… | ⭐ No, and… | 🔄 Yes, but… +1 Twist |
## Appendix C: Loner Cheatsheet
### **🎲 Core Mechanics**
- Ask the **Oracle** ❓ Yes/No questions to resolve uncertainty.\
- Roll **1 Chance Die 🎲 & 1 Risk Die 🎲**:
- ✅ **Chance \> Risk → Yes**\
- ❌ **Risk \> Chance → No**\
- ⚠️ **Both \< 4 → Yes, but… / No, but…**\
- ⭐ **Both \> 3 → Yes, and… / No, and…**\
- 🔄 **Equal → Yes, but… +1 Twist Counter**
### **🛠️ Character Creation**
1. **📛 Name & Concept** – Who they are, in a short phrase. (*Rogue
Bounty Hunter*).\
2. **💡 2 Skills** – Unique talents or expertise. (*Shadow Walker,
Crack Shot*).\
3. **⚡ 1 Frailty** – A weakness or flaw. (*Haunted by the Past*).\
4. **🎒 2 Gear** – Specialized equipment. (*Plasma Pistol,
Lockpicks*).\
5. **🎯 Goal & Motive** – What they seek and why. (*Find lost relic to
clear name*).\
6. **👿 Nemesis (Optional)** – Their main opposition. (*The
Syndicate*).\
7. **🍀 Luck = 6** – A buffer against failure (resets after conflicts).
### **⚖️ Advantage & Disadvantage**
- **⬆️ Advantage** → Roll **2 Chance Dice**, keep highest.\
- **⬇️ Disadvantage** → Roll **2 Risk Dice**, keep highest.\
- **🚫 Never roll more than 2 Chance or 2 Risk Dice.**
### **🎬 Scenes & Gameplay Loop**
1. **📍 Set the Scene** → Where are you? What’s happening?\
2. **❓ Ask a Yes/No Question** → Resolve with the Oracle.\
3. **🧐 Interpret the Answer** → Adjust story based on result.\
4. **🔁 Repeat Until Conflict or Resolution**.
### **🔄 Twist Counter**
- 🎲 **Doubles on Oracle Roll** → +1 Twist Counter.\
- **At 3, a Twist occurs!** Roll **2d6**:
- 1️⃣ **A third party** → Appears\
- 2️⃣ **The hero** → Alters location\
- 3️⃣ **An encounter** → Helps the hero\
- 4️⃣ **A physical event** → Hinders the hero\
- 5️⃣ **An emotional event** → Changes the goal\
- 6️⃣ **An object** → Ends the scene
### **⚔️ Conflicts & Luck**
- **⚡ Option 1: Oracle Resolution** → Ask a single Yes/No question for
the entire conflict.\
- **🎭 Option 2: Action-Based Oracle Rolls** → Ask multiple Yes/No
questions for each step.\
- **❤️🔥 Option 3: Harm & Luck System**:
- ✅ **Yes, and…** → Cause **3** damage.\
- ✅ **Yes…** → Cause **2** damage.\
- ✅ **Yes, but…** → Cause **1** damage.\
- ❌ **No, but…** → Take **1** damage.\
- ❌ **No…** → Take **2** damage.\
- ❌ **No, and…** → Take **3** damage.\
- **🩸 At 0 Luck → Conflict lost**, interpret consequences.
### **📖 Determining Next Scene**
- 🎭 **1-3** → Dramatic Scene (stakes increase).\
- 🌿 **4-5** → Quiet Scene (recovery, planning).\
- 🎥 **6** → Meanwhile Scene (cut to another perspective).
### **🏁 When the Story Ends**
- **🏆 End when** the **Goal is achieved**, a **major revelation
occurs**, or the **momentum slows**.\
- **After an adventure:**
- 🆕 **Gain a new Skill, Gear, or Frailty** reflecting events.\
- 🔧 **Modify an existing trait** (e.g., improving expertise).\
- 😈 **Introduce a new Nemesis** if relevant.\
- 🗂️ **Update NPCs, Locations, and Events** for future stories.
### **🎲 Open-Ended Questions**
- 🎲 Roll **1d6 on each table** (Verb, Noun, Adjective) for inspiration.
## License
Loner v.3.0
© 2025 Roberto Bisceglie
This work is licensed under the Creative Commons Attribution-ShareAlike
4.0 International License. To view a copy of this license, visit
or send a letter to
Creative Commons, PO Box 1866, Mountain View, CA 94042, USA.